THE JACARAS ensemble and Mateusz Ławniczak
The Jacaras group was created in 2009, at the Karol Lipiński Academy of Music. It consists of musicians from Wrocław and a Mexican vocalist, Julieta González–Springer, the graduate of the Kraków Academy of Music and Geneva Early Music Center. The leader of the ensemble is prof. Piotr Zaleski, guitar Professor at the Wrocław Academy

Jacaras specialises in dances and songs of XVII and XVIII-century Spain and Latin America, arranged for modern instruments.These zestful and expressive dances can be found in today’s popular music of many countries, especially in flamenco style. The presented music is accompanied by a short commentary. 
This year Jacaras finished the season with a series of concerts in the Canary Islands organised by the Blas Sanches Foundation. At the moment Jacaras is recording its second album featuring mainly vocal music.  
The group has performed at numerous polish and international music festivals, e.g.:
- Lubuskie Guitar Meeting
- Polish/German Guitar Days in Frankfurt upon Oder
- Wroclaw Guitar Festival
- International Guitar Meeting in Sanok
- Polish Guitar Academy Festival
- ‘Baroque Summer’ Festival in Rybna
- ‘Spring Guitar Concerts’ in Pomeranian Dukes' Castle in Szczecin 
-‘Gitariada’ Music Festival in Kłodzko
- Witowice Guitar Festival
- International ‘Music at the Cathedral’ Festival in Kołobrzeg
- ‘The Music of The World’ Festival in Pabianice​
- Tansman Guitar Festival in Kępno
- The ‘Gitaraton’ Milicz Guitar Festival
- The Eugeniusz Branka Summer Organ and Chamber Music Festival in Władysławowo
- The Toruń ‘Silent Music’ Festival
- Narol Arte Festival
- The Blas Sanches Foundation Festival in Grand Canaria
- The Blas Sanches Foundation Festival in Fuerteventura
Piotr Zaleski​ – timple Canario
Julieta González-Springer​ – soprano,​ castanets 
Mateusz Ławniczak, Łukasz Oleszek, Martin Złotnicki ​– guitars
Łukasz Figiel​ – bass guitar
Jakub Persona​ – percussion instruments


Mateusz Ławniczak
lute/guitar, voice
Mateusz Ławniczak is one of the few musicians who present renaissance lute songs playing both the part of the singer and the accompanist. This way of performance is an attempt to revive the old renaissance tradition of which the most famous representative was Francesco Petrarca. The famous “Cantore al liuto” would accompany himself to his own poetry. Today this type of performance is on one hand an absolute rarity and on the other helps to unite the vocal and instrumental part. It is also hard to imagine that the famous English lutenist John Dowland being both a composer, lutenist and a skillful singer did not perform his songs on his own. Definitely it would go in line with the spirit of the age where possessing various skills was held in such high esteem.

Mateusz Ławniczak is an open minded musician proving that early music can be played in an original way whilst paying attention to the values of traditional performance. The manner of singing is a conscious choice which to some extent embodies the view of John Potter, the author of Tenor: History of a Voice, who claims that the pre-romantic way of singing was more focused on text delivery and individuality of sound then on ideal reproduction of a voice type. Mateusz Ławniczak’s interpretations are on one hand an outcome of historical knowledge and text analysis and on the other a result of individual approach free from cliches. The musician’s main characteristic is technical skillfulness in very often difficult accompaniments and an exceptional talent for expression. The artist’s creative endeavours are supported by a professional classical instrument training and a deep interest in the culture of renaissance England cultivated during studies at the Wrocław English Philology Department. The result is a unique project acclaimed by specialists.

The artist’s latest success is an award won at the prestigious Gdansk Shakespeare Festival (Poland) in August 2017. This year (2018) the musician had also the pleasure of performing at Viljandi Early Music Festival in Estonia and at Maj z Muzyką Dawną (Poland). The 2016 has been marked with two major shows at International Tytuvenai Festival (Lithuania) and the concert in M.K. Ciurlionis Museum in Vilnius (Lithuania). The musician had already National TV and Radio appearances (may 2017 TVP3 Wroclaw, Radio Wroclaw). Mateusz Ławniczak has also recently performed for the Polish National Radio 2 - the prestigious national channel devoted strictly to classical music. At the moment the artist is preparing to perform at a few upcoming festivals - Perla Baroku (Poland), Polska Akademia Gitary (Poland), Zamkowe Kameralia (Poland) and Tallin Guitar Festival (Estonia).

Mateusz Lawniczak is a graduate of Karol Lipiński Academy of Music in Wrocław in the guitar classes of prof. Piotr Zaleski and dr. Waldemar Gromolak. He is also a longtime member of Jacaras project with which he has recently recorded a second CD. The Jacaras have performed at the majority of guitar festivals in Poland. In 2017 for the third time they have performed with a series of concerts in Fuerteventura (Canary Islands) within a festival organised by Blas Sanchez Foundation.


Can She Excuse My Wrongs, John Dowland (lute)
Can She Excuse My Wrongs, John Dowland (guitar)
Pastime with Good Company, Henry VIII (guitar)
Weep You No More Sad Fountains, John Dowland (guitar)
When Laura Smiles, Philip Rosseter (guitar)


Gdansk Shakespeare Festival (Poland)
International Tituvenai Festival (Lithuania)


Polish Radio Wroclaw